The Purpose of this Blog

Your task on this blog is to write a brief summary of what we learned in class today. Include enough detail so that someone who was ill or missed the class can catch up with what they missed. Over the course of the term, these 'class scribe' posts will grow to be a guide for the course, written by students for students.

With each post ask yourself the following questions:
1) Is this good enough for our guide?
2) Will your post enable someone who wasnt here to catch up?
3) Would a graphic/video/link help to illustrate what we have learned?

Saturday 20 November 2010


Linguistics
In our lesson on Thursday we started by having to identify all the language feature that are found in Wuthering Heights, like symbols, motifs, semantics and themes. We then looked at the how the linguistics that are used in Wuthering Heights help to tell the story, and how a chain of sentences create this feeling of excitement which is followed by a sentence that kills the flow of joy all together.
We looked at the use of pronouns such as ‘I’ personal, but opinionated. We see this in the opening of the novel when Lockwood narrates his meeting with Mr Heathcliff and excessive use of the word I which shows the reader that Lockwood is a very opinionated character and also one that is very self –centred narrator. The use of ‘it’ is also found in the novel regarding Heathcliff “it looked intelligent”. ‘it’ is used as in regard to objects, this also creates the fear of the unknown which in the time of the British empire was a common fear due to the amount of nations that where colonised. We then focused on dynamic verbs and how they used to give the text an energetic feeling with the use of words such as “ran” creating movement in the text “she bounded before me” as Nelly narrates when she and Cathy go out on her sixteenth birthday. This is used to amplify the excitement and mood of the text.
Then we discussed the use of nouns which are used to give the text a sense of realness and believability. They are used so the reader can connect with the text and not feel like an outside observer. The dates “1801”, seasons and diary entrees also make the story more reliable. Sentence length also plays an important role in the novel. They are used after a long sentence that is complex and compound, the sentence normally leaves the reader with a question mark “It's a pity she could not be content” that is behind all the enjoyment there is always something that the character is worried about, which in the case of Cathy is her sick father. Semantic fields are also used in the novel with regards to many things. For example in regards to the Grange and the first description that we get of the place, words like carpet, crimson, shimmering and soft tapers gives the place a feeling of heaven on earth where all is well and happy, yet this not the case when we look at the following cluster of words which reveal the true nature of things at the Grange. Words like shrieking, weeping and “red-hot needles” gives the reader a completely different feel of the Grange which is more like hell the heaven.
After that we looked at a couple of extract that we were from Wuthering Heights and had to identify the linguistic feature that they had. We saw how they were dominated with the pronoun ‘I’ that is used by our narrators Lockwood and Nelly showing how opinionated they are. We also found semantic fields in regards to Heathcliff as Nelly narrates about him. Words such as degradation, black fire, depressed, roughness and stern show that Heathcliff as an evil character which is later described as “imp of Satan”.
And hear is the bit we all love... the home work. We have to an essay the question was “The mystery inherent in the story confers Wuthering Heights as a Gothic novel”. Discuss.
We wrote a sort of plan on what should be in the essay
• Fragmented narrative/nouns and time
• Ambiguous- TC WH oppositions blurred
• Life and death
• Parasitic- feeds on Victorian categorisation
• Gothic context- how the Gothic is more of a mode then a genre
• Thesis statement. Mysterious elements create uncertainty and fear making the novel of the Gothic mode

8 comments:

  1. *dries tears from laughing* Ahh abdi, a great blog and I did read it! You definetly captured Bronte's use of killing "the joy" of tension in the novel by bringing the reader back to Lockwood's insignificant situation in opposition to Heathcliff's or other complex characters.
    incredible points! I wish I could come up with points like those! (sarcasm,dont get happy)

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  2. I guess you take all under your stride and make something good out of it.

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  4. Nice one Abdi! I agree about how the chain of sentences within the novel create this feeling of excitement however it becomes disjointed due to a negative interruption- this is similar to the whole structure of "Wuthering heights", don't you think? As nothing is harmonious...

    There is always something which disturbs this melancholy flow; hence the readers are never in comfort.

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  5. Average - only joking, Ill quickly reiterate what Georgina said about disturbing the flow, using syntax. It really captures the nature of Gothic as a whole. (Y) Good job, it feels like I was in the lesson with you.

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  6. yeah nice blog Abdi,
    I really like the way that we can describe the novel as a 'series of peaks of intensity' which are; like everyone here said: the narrative returning to Lockwood or Nelly acknowledging Lockwood in some way

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  7. good blog!
    Abdi dont listen to what mahsa says your the man with the great ideas, liked how you said I shows an opinionated self important stance

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  8. Mahsa is jealous of Abdis raw talent.

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